In this section are copies of original works of art. All of them are dedicated to helping us live according to unconditional love and compassion, which is the foundation of our peaceful means of bringing true and lasting peace to all of God's creatures, whether they are human beings or other animals.
(Artwork - 245)
Common Eider (Somateria mollissima)
This oil painting shows a pair of Common Eiders (Somateria mollissima) of
the subspecies S. m. dresseri, which breeds along Canada’s east coast south
as far as the northeastern U.S. coastline. But the species, overall, breeds
on northern coastlines on both sides of the North Atlantic, across much of
the polar region, and in eastern Siberia. They are migratory, and can occur
in fall, winter, or spring, along any northern seacoast, and occasionally in
fresh water. There are six subspecies recognized, each differing in minor
details from the other, and I have included a rather old, acrylic painting I
did of S. m. v-nigrum, which is found in the far northern Pacific, including
Alaska and northeast Asia and is different enough that at times it has been
thought that it might be a different species. Note the black “V” marking
under the chin.
There are four species of eiders, with this being the most widely
distributed, hence called “common”, a bit of a misnomer which, when applied
to animals and plants, usually refers to a species that is more widely
distributed – found in more places – than other similar species, but is not
necessarily “common”.
Years ago, I was taken by a local conservationist to a small, treeless,
uninhabited island off the very northern tip of Newfoundland, to be shown
the tundra covered with evenly spaced flat wooden boxes, open at one end.
They looked a little like those wooden cases used to house valued large
books, but were laid flat, open end facing the nearby sea. They were nest
boxes for eiders, who nest in colonies. The idea was that the boxes would
help to protect the eggs and hatchlings from predation by circling gulls or
perhaps other predators.
Female eiders remove down from their breasts to line their nests. The down
has incredibly efficient insulating effects and there is much economic
demand for it. As it happens, the female has enough down beneath the outer,
contour feathers of her body that if the first layer she puts down is taken,
she can produce another. The second layer would be left alone to insulate
the eggs. Once the ducklings had left the nest the second layer could also
be gathered up with no harm to the birds.
There was, I was told, a very high “offtake” of eiders by hunters in
Newfoundland, the population was in significant decline, and it was hoped
that the down would provide economic incentive to kill fewer birds, while
promoting a viable cottage industry in a place where job opportunities were
very limited. Collecting eider down is a very old tradition across the high
latitudes of the northern hemisphere. The down is highly valued as
insulation in winter clothing and quilts.
It may have worked. There was a steady increase in eiders for several years,
although lately the population has been in decline, although it is still
above the lower numbers. These birds are highly sociable, females gathering
in groups offshore and sharing duties in collectively raising ducklings.
A heavy eider can weigh over three kilograms but usually they weigh around
two. In addition to the usual hazards faced by oceanic birds – such as oil
spills, entanglement in fishing gear, and epidemics, like one that
apparently killed many of them in Hudson Bay more than two decades ago –
they are now at increasing risk from polar bears who, due to a lack of sea
ice supportive of the ringed seals they normally eat, are searching out
nesting birds and their eggs – less nutritious, but better than going
hungry.
My painting is approximately life size, shows a pair in breeding plumage,
and is in oils on compressed hardboard. The size is about 24.5 by 30 inches.
I sold the smaller one many years ago but I think it was about 20 by 15
inches, and do recall it was in acrylics, on compressed hardboard.
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Copyright © Barry Kent MacKay
Barry describes himself as a Canadian artist/writer/naturalist.
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