In this section are copies of original works of art. All of them are dedicated to helping us live according to unconditional love and compassion, which is the foundation of our peaceful means of bringing true and lasting peace to all of God's creatures, whether they are human beings or other animals.
(Artwork - 192)
Sumatran Tiger (Panthera tigris sondaica)
To a degree I am somewhat hesitant to call my subject a “Sumatran” Tiger,
as it may imply that it is a species distinct from other kinds of tiger. And
that assumption may spring, in part, from widespread lack of knowledge about
taxonomy, nomenclature and evolutionary process within a society where a
disconcerting percentage of people don’t “believe in”, thus don’t
understand, evolution. Of course evolution occurs whether “believed in” or
not. The Sumatran Tiger is a taxon, a group of animals who in various
genetically-determined ways resemble each other more than they resemble
other groups of animals. For purposes of classification it is currently
established that there is one species of tiger, “the” tiger, with a wide
original distribution across much of Asia. But various physical barriers
isolated various populations of tigers, reducing “gene flow” among them, and
allowing minor distinctions to evolve within each of these more or less
discreet populations.
Some six to twelve thousand years ago what is now an archipelago of large
islands in Indonesia, including Sumatra, Bali and Java, were either
connected to the mainland, or separated by very narrow channels or perhaps
contiguous swamplands. Tigers can swim very well, but as the seas rose gene
flow between island populations and animals on the mainland would diminish
to virtually zero. While the tigers would breed among themselves, they would
very slowly “diverge” from those found in other regions, not enough to be
considered separate species, but distinct “subspecies”. Thus, to the
scientific species name, Panthera tigris, is added to the isolated island
animals, a third name, sondaica, that distinguishes those animals as a
distinct subspecies. Subspecies are not so different that they cannot
interbreed and produce viable young when or where their populations meet,
but of course with wide stretches of seawater to cross such meetings were
unlikely. The island tigers became distinctly different in appearance from
mainland tigers, albeit to a minor degree.
Sadly, those on Bali were entirely exterminated sometime after WW II,
perhaps surviving into the 1950s. Those on Java lasted perhaps another two
decades, but are now believed also to be extinct. That just leaves the ones
on Sumatra, and they are critically endangered! Meanwhile, the idea that
they form a distinct taxon has been verified objectively by modern DNA
analysis.
We frequently hear that there are more tigers in zoos than in the wild. This
applies to the entire species, but Sumatran Tigers are down to a few hundred
individuals in captivity, and in the wild! Worse, wild animals are isolated
into separate subpopulations, none very large, and all showing signs of
continued decline. Inbreeding is both inevitable and likely to further
compromise survivability, to the point where Sumatran Tigers are unlikely to
survive.
They are among the smallest subspecies of Tiger, with other minor and not
always consistent variations in appearance. Palm and acacia plantations,
reduction in other large mammals they prey upon, and poaching, all threaten
them. They prefer to live in the depths of forested wilderness, which is
vanishing in response to increasing agricultural demands, exacerbated, I’m
told, by widespread corruption within government agencies otherwise tasked
with environmental protection. While protected, there continues to be a
strong black market demand for tiger parts and poaching continues to
diminish tiger numbers. The situation is not helped by the fact that tigers
will sometimes prey on livestock, companion animals and humans. In balance,
their future looks bleak.
My painting is based on zoo animals identified as “pure” Sumatran Tigers,
and photos of wild animals. It is 17 by 25 inches, in oils on compressed
hardboard. I started it some years ago, then set it aside, only to finish it
last year as I felt I was becoming more adept in certain oil painting
techniques.
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Copyright © Barry Kent MacKay
Barry describes himself as a Canadian artist/writer/naturalist.
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