New Film - When humans fall victim to their own cruel devices, enslaved on factory farms, who will survive?
Image by Jo-Anne
McArthur/We Animals
Australian documentary filmmaker James Hyams is out to show us what it
looks like when the hunters become the hunted. When humans fall victim to
their own cruel devices, enslaved on factory farms, who will survive?
The scene is set. But part of the story of this film is that it cannot
happen without your help. The musical scoring, the lighting, the special
effects, it all costs money. For a film with such a distinct vegan message,
a little help could go a long way. The project is approaching 80% of its
funding goal. Check it out here on Indiegogo.
Like a meat eater’s manic sci-fi vegan dream
Lights dim. Whirling, slightingly paranoid music ensues. A voice is heard
over the chaotic screams of human beings. Imagining the opening scene of
this movie is like a meat eater’s manic sci-fi vegan area is a true
testament to the hook.
“Aliens encountered Trump’s space force and decide to re-inhabit earth. At
first, they slaughtered us—“the primates,” then they enslaved us. The
strongest were forced to work but they quickly perished. The rest of us were
hunted, captured and pit into farms to be used as a food source. That is
where the script of The Rise of the Animals commences.”
Filmmaker James Hyams is a documentary filmmaker at heart. His projects
include award-winning coverage of the dog meat trade frequently used by CARE
to demonstrate its evils. But as of late, he has come to believe that the
wider meat-eating community is not interested in watching documentaries that
challenge their behavior. Instead, they prefer to be entertained, he writes.
“Many vegan films attract a vegan crowd and reinforce their values but often
fail to reach new audiences,” he continues. “I believe our film will
circumvent this issue and attract a new audience to think about how animals
are treated.”
The message of Return of the Animals is so strong that Hyams has already
pulled together a full team of filmmakers, lighting assistants, engineers,
and about 30 actors on a fully volunteer basis. He says his 100-page script
is still being constantly rewritten, another excellent sign. Every writer—of
fact or fiction—is a perfectionist.
Fact or fiction?
The Rise of the Animals is meant to present the realities of factory farming
to people for the first time in a completely new and slightly unsuspected
format. Can you imagine how it feels to be enslaved on a factory farm?
Here’s a snippet of the script. Reading the exchange between two humans
seems perfectly logical. If it were two animals, it wouldn’t be so easy to
understand.
“What you suggest isn’t normal.”
“Nothing about any of this is normal. But I’m confident my plan will work.
I’m dying now. At least this way I have some control over my death and it
will be without pain.”
It’s a conversation most vegans have had with themselves, with friends
and family, and more often than not, with meat eaters. Factory farming
animals isn’t normal, but when meat eaters receive that simple truth from
vegan, it tends to be ignored as an attack or filed away as a defense not
worthy of their consideration.
Because the audience is entertained by the message, they’re much less likely
to be defensive. That is the luxury Hyams affords by choosing to turn fact
into fiction, and the beauty of his choice is that at by the end of the
film, the truth is all we will see. There are certain horrors in this world,
and factory farming is one we might only be able to comprehend given time
and space. The film will allow for both of those, and hopefully, a
conversation or two in the hallway afterward.
Hyams hopes to present the horrors of factory farming through a different
lens, one that engages its viewers with fantastic visions of the future. But
when humans become the victims of their own cruel devices, enslaved on
factory farms, who will survive?
Vegan filmmaking that takes a risk
In the same cages as the animals we farm, humans are forced to assume a much
different perspective on factory farming. The film pushes humans to think
about actually living in those conditions. To live, die, and become meat
becomes a part of the human experience.
“[Humans] are capable of feelings, thoughts, creativity,” writes Hyams.
We’re all willing to admit that here and now, but in captivity, the stark
difference of those emotions comes to light. Do animals feel the same way?
(Yes, they do.)
Most of us have never felt what it’s like to be in a slaughterhouse. Will
this change, when we see what it’s like? The numbers say it will. The more
contact humans have with animals, especially animals that are or were a part
of the industrial food system, the more feelings we develop for them. It
shouldn’t be hard to develop feelings for our factory-farmed selves when
Rise of the Animals hits the big screen.
The risk this film is taking is the road less traveled. Most films about
animal rights and veganism are documentary works. A divurgence from that
norm would allow the film itself to garner an unexpected audience. But
that’s not the point. The point is to introduce a unique vegan message where
onlookers would least expect it.
Return to: Animal Rights/Vegan Activist Strategies